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2001 
 
2001: Messa da Requiem, January 28, 27
2001 USA Tour, March 22 - April 6
2001: concert in occasion of the reopening of the tower, Pisa. June 17 
2001: 2 concerts in London and Dublin, July 21/22
2001: USA Tour, November/December
Boston, 1. 4. 2001, Thanks to Mary-Ann
Gasdia , Bocelli, Rota
 
North America Springtour -  March 22 till April 6, 2001
Poster Konzert Mandalay Bay, Las Vegas, 24. 3. 2001
Fort Lauderdale, 22. 3. 2001, Thanks to Gloria March 22, 2001 
National Car Rental Arena
Fort Lauderdale, Florida

 

Fort Lauderdale, 22. 3. 2001, Thanks to Astrid

 

concert reports
from 
Il Messaggero
(scroll down)
 
 
 March 24, 2001 
Las Vegas, Mandalay Bay
fan report at 

March 25, 2001
Union Center
Philadelphia, PA
 
After the concert receiving 
a replica of the Liberty Bell 
at the NIAF Reception
Philadelphia, 25. 3. 2001, Thanks to Astrid
Philadelphia, 25. 3. 2001, Thanks to Astrid Philadelphia, 25. 3. 2001, Thanks to Astrid
March 28, 2001 Schottenstein Center, Columbus, OH
March 30, 2001
 
East Rutherford, New Jersey
 
After the concert the actors from 
"The Sopranos" meet him

 

Boston, 1. 4. 2001, Thanks to Mary-Ann April 1, 2001

Fleet Center, Boston, MA

Boston, 1. 4. 2001, Thanks to Mary-Ann

 

 
 
 
Boston Globe
by Richard Dyer
(scroll down)

 

Hartford, 1. 4. 2001, thanks to MamaLisa

April 1, 2001

Hartford Civic Center, Hartford, CT

 

April 6, 2001
 
Air Canada Center,
Toronto, Canada

 

 

 

Tourprogram
Programm der Frühjahrstournee 2001, Amerika Programm der Frühjahrstournee 2001, Amerika Programm der Frühjahrstournee 2001, Amerika
Boston Globe, April 3, 2001 (excerpt)
 
MUSIC REVIEW

Emotions run high for Bocelli, his fans
 
By Richard Dyer, Globe Staff
 
...
The tenor has been fighting a cold, and departed extensively from the printed program, but through the pitiless microsope of ferocious amplification his voice sounded in great shape, and he sang his heart out.
Bocelli is the tenor opera snobs love to hate, but the opera snobs are wrong. It is true that he uses a microphone when he performs in arenas, but so do other leading singers. It is also true that the microphone permits him to sing arias from operas he wouldn't dare perform in an unamplified theater, but he is hardly the first singer to do that. The microphone loves Bocelli's voice, but it cannot invent his musicianship, his diction, his phrasing and breath control, his identification with the material, and his emotion.
 
(...)

 

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